Learn To Love And Avoid A World Of Hurt
Dawn
of the Planet of the Apes (2014)
A Review By Ben Hunter
5 Out Of 5 Stars
GET TO THE POINT
BEN!
With a film of the
commercial realm, art has definitely NOT gone out the window, thus deeming it
OSCAR WORTHY and putting it into a whole new level of AMAZING!
~~~~~~~~~~~~~~~~~~~~~~
... But! Will! Fight! If! We! Must!
... *points* Ape! .... Home!
... *points opposite* Human! ... Home!
... DO NOT!! ... come ... back."
The virus has spread, the earth a dead zone, the human race
is all but extinct. Those who’ve
survived have banded together in a joint effort to stay alive on what little
resources they can muster. In San
Francisco, a small group has their base camp.
But need to get power to it before it all runs out, ending life as they
know it. So they search for use of a not
too far away water damn. They just run
into a little problem along the way … APES!
Caesar (Andy Serkis), our risen hero from the last story of
apes (Rise of the Planet of the Apes (2011)) and his newly formed family that he leads has settled in a home in the
forest that’s near the damn; where the
humans have to venture to and through the world of the apes to utilize the power
from the damn. Both sides have their
reservations of the other from previous, bad experiences.
So love and trust are completely out the window; where love in the lives
of either side is all it would’ve taken to restore faith in life again, avoiding a world of hurt. Yet fear and hatred take over, thus spawning
the beginning of the end for all life if this path is continued upon. In this next chapter of this newly revised
ape saga that respectfully pays homage to its roots and does it oh so well, we
find out what happened … before the dawn!
Masterpiece! Simply a
masterpiece!
Caesar (Andy Serkis) and his band of specially enhanced apes prepare to attack! |
From the very first opening images, I was completely in
tears. This put me in the correct mood
to experience this story. Any good film,
I’m talking the ones that you deem as one of the greatest you’ve ever
experienced, perfectly take you out of your world and into its world. “Stop caring about what’s going on in your
world and focus on this one.” I
immediately forgot who I was or where I was, and all I could focus on was what
was going on in front of me. This rarely
happens, and I become overwhelmed with joy when it does! I was now in the presence of a masterpiece,
after the opening scene I knew this and every scene after that proved such.
Andy Serkis as our ape hero Ceasar has taken the motion
capture technology to a new level! I
loved how he and the other actors who embarked on this journey to become the
highly advanced apes, because of the last film, completely lost their human
aspects and completely took on that of the apes.
Word of a special Oscar is rumored, however, to me, this is just another
form of GREAT acting and someone like Andy Serkis for Apes should be just another name on the ballot as a Meryl Streep
for whatever film she’s up for that year yet again. No specialty needed here.
I loved how the story clearly defined the objectives of both
sides. With Dreyfus (Gary Oldman), who
just wanted what was best for the humans, I totally understood why he did what
he did. Or with Malcolm (Jason Clarke)
who had the mindset to see both sides of humans as well as apes and fight for
what was best for both. Keri Russell
added to Clarke’s touch on the story. A
story that has a genuine complexity that perfectly pays homage to its
forefathers with its message of “make love not war” and doesn’t try to do too
much and go over the top; say with over
complicating the complexity of its heroes with the exception of Ceasar. So to translate, there was no reason to try
to “humanize” Jason Clarke a little more or Keri Russell just a tad because the
story they’re placed within was complex enough and more would’ve been “trying
too hard”.
Just look at Ceasar’s son “Blue Eyes” (Nick Thurston), a name
that gives a nice transition from this last film Rise, which is a gem to enjoy from the original. Blue Eyes was a very emotional and conflicted
character. The ape equivalent of the
rebellious human teenager, I could completely relate to him.
Or Ceasar’s wife “Cornelia” (Judy Greer), another reference
from the original, who also paid a STRIKING resemblance to “Zira” another
reference to BOTH the original film series as well as the primitive French novel from 1963, which spawned all of these ape stories over the decades. When Cornelia was in pain, I was in
pain. I could completely relate to yet another character here in the narrative.
Toby Kebbell (the ape Koba we first learned about in in the
last film Rise) I feel has a
prosperous career now ahead of him because of this film. I understood his objectives as they were opposed to Caesar's and it all personified the adventure, helping me to identify with each aspect of it.
I completely LOVED all the references to the original film series and the novel, Cesar
being the obvious one. But take the long
trek into the world of the apes (the home they established in the woods) that takes one out of their world and into the
foreign and unknown where fear completely take over as with Malcolm (Jason Clarke). This was fascinatingly conveyed to give such
experience with the editing and music, a soundtrack I simply MUST
purchase! Heck of a job Michael
Giacchino!
Add this on top of automatically understanding the problems
of the humans because as a human I can relate.
In addition to such, director Matt Reeves (who’s already signed on for
the next ape film) takes us by the hand to have us relate all the more with the
problems of the humans and get us on their side in addition to having learned
about the apes. Rooting for both, yet wanting
peace for all, and eager to discover what happens next!
Masterpiece! Simply a
masterpiece!
Koba (Toby Kebbell) convinced that all humans are evil! |
Anyone who says otherwise (like it’s just a good popcorn
flick and nothing more), I respectfully disagree. Me and the countless others who have put this
film in the 90th percentile, the A to A+ range, the perfect or close
to perfect part of the diagram, couldn't get enough!
This story with its nature and such puts in the category of
a film like Gladiator, The Dark Knight, or Braveheart, action with a purpose, not just blowing up things for
the sake of blowing things up.
Just like the aforementioned films, it’s OSCAR CALIBER!
Go see one of the best films of the year. right. now!
Dawn of the Planet of the Apes
Science Fiction, 130 Minutes, PG-13
Based on the novel "La Planete des Singes"
by: Pierre Boulle
Based on Characters Created by: Rick Jaffa
& Amanda Silver
Screenplay by: Rick Jaffa & Amanda Silver,
and Mark Bomback
Directed by: Matt Reeves
Cast: Andy Serkis, Jason Clarke, Keri Russell,
Toby Kebbell, Judy Greer, Nick
Thurston,
& Gary Oldman
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